"Muso, a research firm that studies piracy, concluded that the high prices of streaming services like Spotify and Apple Music are pushing people back towards illegal downloads. Spotify raised its prices by one dollar last year to $10.99 a month, the same price as Apple Music. Instead of coughing up $132 a year, more consumers are using websites that rip audio straight out of YouTube videos, and convert them into downloadable MP3 or .wav files.

Roughly 40% of the music piracy Muso tracked was from these “YouTube-to-MP3” sites. The original YouTube-to-MP3 site died from a record label lawsuit, but other copycats do the same thing. A simple Google search yields dozens of blue links to these sites, and they’re, by far, the largest form of audio piracy on the internet."

The problem isn’t price. People just don’t want to pay for a bad experience. What Apple Music and Spotify have in common is that their software is bloated with useless shit and endlessly annoying user-hostile design. Plus Steve Jobs himself said it back in 2007: “people want to own their music.” Having it, organizing it, curating it is half the fun. Not fun is pressing play one day and finding a big chunk of your carefully constructed playlist is “no longer in your library.” Screw that.

  • TimeSquirrel@kbin.social
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    If y’all got kids, don’t forget to teach them how MP3’s and actual media files work, I see many young people nowadays don’t even realize you can locally store your own music in a portable device-agnostic format. They’re beginning to get used to the idea of not owning anything.

    • Snot Flickerman@lemmy.blahaj.zone
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      First you’re gonna have to teach them how file systems work since they’ve spent a life saving everything to Google Drive or OneDrive and using a search term to find their files.

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        I’m continually astonished how I thought grunt-work IT jobs would fade away as my generation and younger aged into the workforce becoming ever more technologically literate. Then the iPhone my rich friends bought in highschool became the new standard for interfaces.

        Now I’m helping people several years younger and much older than me navigate the machines they use for their jobs.

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          Yeah funny, right? I thought the same thing. It’d just be the older people and the younger would be more technically literate. But companies started abstracting a lot of things now and it’s both the older and younger that struggle with IT literacy.

          I think thin clients with VDIs will be the future and both make this stuff even more abstracted for users and also bring in the age of subscribing to workstations. At work, it’ll start by just plopping stuff in your documents folder or personal folder or whatever and/or the desktop. They’ll live on a network share and the VDIs will revert to snapshots to be ‘fresh’ every time but the users won’t really know that. Their stuff will be plopped down like it is local every time and ‘follow’ them from VDI to VDI.

          Then I think this will push to the home market and instead of spending a lot of money up front, you just get a cheap thin client, probably eventually a small little box with USB ports and mini-DP or whatever. You’ll then pay for the tiers you want. Want just a workstation to check mail on and do ‘web apps’ type stuff? $5 with a whole 5GB of personal space or whatever. Then there’ll be “productivity tiers” with pretty much the same stuff but more CPU, RAM and a small amount of vGPU allocated and you can install programs with something like 500 GB of personal space. There’ll be a “pro” version with more of everything and a “gamer” version with a lot of everything probably costing something like $30/$40 a month starting out per device.

          And of course eventually, you’ll be getting ads to “keep the prices increases down” and then that won’t matter anymore and you’ll be given the option to pay for ad-free add-ons, time on the workstation and so-on. Prices will raise nearly every year. Thin clients will turn into all-in-ones and be basically tablets where you buy based on screen sizes and probably able to wireless connect more displays.

          Technology in computing will become more abstracted and IT’s specialists will shrink once again because actual tech literacy will decrease.

          I think the only reason it hasn’t started yet is due to Internet throughput availability but that’s quickly changing.

          A boring dystopia indeed.

      • Kallioapina@lemmy.world
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        Thats the exact reason I just donated my old pc to my sisters kids as a “practice computer”, encouraging them to go rummaging around.

        What woke me up was all these 20-somethings in our uni having trouble using computers. Damn, how can you get through our secondary education in our country and not know how to use a normal Windows pc?

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        That brief, magical moment in time of about 2 decades in the “home computer revolution” of the 70s, 80s, and 90s, where you had to be an actual geek to be able to effectively use a computer are gone. That’s how we all got trained. By being forced to learn if we wanted to do anything. Now, it’s one-button instant gratification.

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        Partially yeah, but atleast Google Drive and Onedrive still have folders to sort and share more than one file, which sometimes gets the kids to actually use those features.

        What also killed the basic understanding of PCs, is the way in which everything is now done “in-Browser”. No longer do you need to open Word to edit a document, nor do you need to open Photoshop. It’s all done in the browser, and if you want to simply “save” a document, well, just don’t close the tab and you’re golden.

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            5 months ago

            Take a guess on why people still complain about RAM in the current days of 16Gb being one of the cheapest options

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              I mean I have 64 GB but I’m not wasting it on browser tabs. I’ve got people at work who never close anything, they’ll have 15 tabs, 28 PDFs and 7 Excel spreadsheets open 24/7 because it takes them an hour to remember where they saved them otherwise.

              Literally me when I hear them complain about their slow computer:

              • Kecessa@sh.itjust.works
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                We open the two Excel “programs” that are the basic tools we need to do our job and RAM usage is at 10gb already.

                Our laptops have 16gb of RAM and we need to open even more excel tools and web pages and pdfs…

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          I remember my kids crying the first time they lost their school assignments using Microsoft Office at home. They’d only ever used Google docs and no one taught them to save. They also had no idea what the save icon is or represented (floppy disk).

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          Yeah the real takeaway is it’s not necessarily the kids fault that they don’t know these systems deeply as much as it is the fault of OS and app developers taking the path of least resistance and building everything around the stupidest users and their mistakes. It doesn’t leave a lot of room for the growth and development of Power Users when everything is locked down and obfuscated to protect the user from themselves.

          When I was a kid there was an air of “anyone can do this” and I had friends who were only 15 were getting hired to build whole websites for $20 an hour when minimum wage was $5.15 an hour. Now there’s an air of “only professionals who are trained can do this” which doesn’t exactly make kids feel like they can just jump in feet first.

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            The biggest crime is in my opinion that Android as an OS was made without allowing the user root access unless they jump through a bunch of hoops. Even if it comes at the cost of a bricked phone, kids should be allowed to experiment with their devices.

            Also, from my experience basic graphic design is the newest version of this. The amount of praise I get for understanding basic color theory, as well as not to use JPGs, or Comic Sans for everything is wild.

            • Snot Flickerman@lemmy.blahaj.zone
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              To be fair to the basic graphic design point: When I was in high school they were busy killing art programs, and that was in the 90’s. It’s kind of hard to know that kind of stuff when it straight isn’t being taught. Honestly, very similar to the computer stuff, so much of it just isn’t taught anymore, and it’s leaving a lot of kids with degraded knowledge of the subjects they’re pursuing.

          • grue@lemmy.world
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            it is the fault of OS and app developers taking the path of least resistance and building everything around the stupidest users and their mistakes. It doesn’t leave a lot of room for the growth and development of Power Users when everything is locked down and obfuscated to protect the user from themselves.

            That’s overly charitable. The developers aren’t doing it just to cater to idiots; they’re doing it because taking away users’ power and turning it into a platform strictly to consume content instead of creating things for themselves gives big tech companies more opportunities to extract money from them.

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        This sort of thing is why my kids are getting Raspberry Pis as their first computers.

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      This makes me sad. I had so much fun growing up learning about compression and encoding, ripping, tagging, spectral analysis. Listening to 24/96 vinyl FLACs on my parents old stereo with my pinky up. Hanging out with a bunch of 40-year olds on IRC. Good times, man

    • flintheart_glomgold@lemmy.worldOP
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      Indeed! I introduced my kids to this through the example of our in-house Plex server, and it worked really well.

      First they “get it” because Plex works like the streaming services they’re used to and they think “oh neat mom can do that too.”

      Then they like it more because I show them how its streaming we can control ourselves - streaming home movies and pics really impresses this upon them.

      And then they see that there’s no magic to where the content comes from – it’s a digital file on Plex just as it is on Netflix.

      Voila. Free thinkers for life.

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        If I ever do have children, this is one of the things I want to teach them.

        Hopefully, it turns into an important memory for them.

        Learning about technology from their parents’ and how it isn’t magic.

      • rebelsimile@sh.itjust.works
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        No, they’ll think the corporate dystopia they’ve grown up into is normal. They don’t know that corporations tried and failed to stop people from owning and using VCRs. They think it’s their duty to sit and watch ads from their favorite creators like passive cows.

          • Snot Flickerman@lemmy.blahaj.zone
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            It’s an outlook developed by watching the peers I grew up around and the things that they accepted and didn’t question because it was just “normal” by the time they were children.

            For example, a lot of kids in my generation grew up with Cable Television, but by the time I was a kid, cable had lost it’s initial “we’re better than broadcast because we don’t have ads” and people just accepted the ads. Most people never knew there was a “time before” when there weren’t any ads, and because of their lack of knowledge of it ever being any different, they never had reason to question why cable television needed ads now when previously it had not.

            Once things become a societal “norm,” the people who grow up around that norm tend not to question it simply because they have never known anything else. It’s not meant to be an indictment on the youth as much as the obvious “you can’t know what you don’t know.” If they don’t ever know it was ever any different, how can they expected to do anything but accept how things are? Especially when the adults around them don’t kick up a fuss and keep paying for Netflix when they keep getting screwed. They are learning that this is normal behavior and that it’s normal to get screwed by a company and just keep paying for it.

              • Snot Flickerman@lemmy.blahaj.zone
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                Yes, it could be argued it was the pitch, much like Netflix originally was. It’s actually kind of wild how the streaming services are literally following the same path as cable television.

                Here’s a New York Times article from 1981 about it:

                https://www.nytimes.com/1981/07/26/arts/will-cable-tv-be-invaded-by-commercials.html

                Although cable television was never conceived of as television without commercial interruption, there has been a widespread impression - among the public, at least -that cable would be supported largely by viewers’ monthly subscription fees. These days, however, as cables are laid across the country and new programs constantly pop up to fill the gaping maw, cable experts are talking as glibly about the potential advertising revenues as they are about opportunities for programming.

                ‘‘The floodgates for advertising on cable are down,’’ says Michael Dann, a leading consultant on cable television. Indeed, even pay television, once assumed to be secure from commercial interests, is attracting some attention as a potential vehicle for advertising. Admittedly, such leading pay cable services as Home Box Office and Showtime, whose programming consists primarily of theatrically released films, staunchly maintain that they will never accept advertising.


                Also, I’ll just point out that people in here not knowing about this literally proves my point that if the changeover happened before you were born/early in your childhood, you’ll just accept the change as “the norm” because you never knew anything different and had no reasons to question it. It’s not about the intelligence of any generation of kids, it’s just an inherent part of not knowing what happened before you were born, which is something every human experiences. It takes dedicated effort to find out that “the norm” isn’t “the norm,” for anyone. Also, on the flip, we’re not particularly special for figuring out “the norm” isn’t “the norm.”

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                Have you ever seen cable TV abbreviated “CATV?” That’s because the original original pitch for it was as “Community Antenna TV,” wherein it would receive local over-the-air broadcasts and then send them over a wire to folks who couldn’t receive them properly because they lived behind a mountain or whatever.

                The second pitch was getting original content on cable-only channels, but because your subscription was helping pay to license it (unlike the over-the-air channels, which they – at least initially – got for free), they would be ad-free.

                Of course, nowadays cable companies have been made to pay retransmission fees to broadcast TV networks and cable-only channels are showing ads too, so both content sources are double-dipping revenue streams.

                (Side note: that link is to a site trying to sell some kind of service, so ignore the last part of the page – the explanations at the beginning of it are quite good, though.)

          • amotio@lemmy.world
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            It is, but it’s also true. Kids in schools have problem saving files in correct format in the correct places. Almost like your average grandma. Most kids dont even have computer, they do everything on their phones.

            I mean, I get it, why bother with PCs or laptops, these things are heavy and too complicated. You can take, edit and share pictures from your phone, browse web, listen to music, chat with friends.

            But IT literacy goes to hell.

  • Snot Flickerman@lemmy.blahaj.zone
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    Look, it’s on it’s last legs, but Bandcamp and Bandcamp Fridays still exist.

    Reasonable cost, money goes directly to the artist, and you get high quality FLACs with no DRM to keep permanently.

    I pirate a lot, but I also spend a lot of money at Bandcamp trying to get money directly in the hands of the artists I enjoy.

  • tordenflesk@lemmy.world
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    Never left, baby! Although ripping from YouTube should be a last resort. And even then, use a proper tool like Yt-dlp.

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    One of the main reasons I still pay for Spotify is because it is very cheap in my country, specially when splitting a family plan. However I noticed that the user experience has gone downhill over the past years.

    I remember when I could seamlessly switch playback devices, from my car to my phone, to my computer and them a Chromecast almost instantaneously. Now I’m lucky if my devices recognise each other even if they are on the same network.

    And if you have a poor internet connection, the app is near unusable because it tries yo grab online content first before checking whatever is downloaded. Time and time again I have to put my phone on aeroplane mode just for the main menu to load, it is so frustrating and this didn’t happen some 5-6 years ago

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      All of those things are 100% legitimate criticisms, I want to add that the UX experience has become more and more horrible. They’ve regressed terribly in most aspects of their apps, wether PC or Mobile. Absolutely unbelievable, this is the thing I see from Google search where marketing takes over from engineering/customer needs/market reality/I don’t know what. Stop shoving shit into the services. You beat piracy for a minute, you can keep that lead, you’re slowly losing it.

      Honestly, if this was any other product this would be unacceptable. It’d be like all books went back to only black and white, all movies were only 480p, all music was only mono.

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        They keep trying to reinvent the library UI, as does Apple. But neither will ever be able to top the way the iOS music app was organized, pre-Apple-music. Every attempt to innovate has been worse

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      And if you have a poor internet connection, the app is near unusable

      This is an issue I’ve been noticing across more and more apps and operating systems. It seems like there’s no developers out there even willing to consider how their software operates under non-ideal conditions.

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      I’m paying for a family plan, for my family and two friends. The day this plan goes away, or they actively prevent sharing like this, I’m done paying for music. All alternative services are considerably more expensive, and also have a much more limited library. My favorite artists get less than pennies on a dollar from this anyway. No wonder they have to sell 85$ hoodies at concerts

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      I got caught in a crazy loop of Spotify resetting my password once a week. they offered no help except telling me my 40 char generated password was not secure enough. so I cancelled and deleted the account. the seas are a much more friendly place.

  • sucricdrawkcab@lemmy.world
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    Piracy creates an endless loop of artists taking advances and eventually losing royalties. That’s just what I’ve seen growing up in the music /film/ TV industry and briefly working in both. Screw labels and Spotify but go support artists and actually buy stuff.

    • metaStatic@kbin.social
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      Artists have never made much on sales anyway. Go to shows.

      “It’s my understanding that I had over 80 million streams on Spotify this year, So, if I’m doing the math right that means I earned $12. Enough to get myself a nice sandwich at a restaurant. So, from the bottom of my heart, thanks for your support, and thanks for the sandwich.” - Weird Al

    • BearOfaTime@lemm.ee
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      Seems like advances exited long before piracy was a significant thing. Though I’m sure piracy does contribute to the imbalance like you describe.

      I don’t mind paying artists for work that I like. Hell, I’ve bought much of my collection 3 times now: LP, cassette, CD. I never bought MP3s - just ripped them myself. All my CDs are in storage, which is dark, cool, and dry.

      I’m pretty sure the distributors kept most of that money.

      And that’s where the bulk of the problem lies: the power brokers that have always tried to control production and distribution.

      And that goes back a long way. I know I’m being repetitive, but Payola has been around a long time, and rather indicative of the state of media production. It’s not like these ideas left just because someone got busted… They just learned new ways to accomplish the same goals of controlling the media marketplace without getting caught.

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    Sheesh, kids have it so easy now… Back in my day, we had to set sail along the Atlantic trade routes looking for ships full of the latest wax cylinders out of Europe and Asia. Didn’t have anything to play them on but at least we owned our collections.

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    Over 20 years ago, the internet was revolutionized through free music file sharing. Today, Napster’s legacy lives on through websites that rip YouTube’s audio.

    Is this guy a boomer or a zoomer? It sure seems like he doesn’t know that what made Napster great wasn’t really the downloading so much as how it facilitated discovering new music. Looking through other people’s collections while the thing you came for downloaded was amazing.

    Edit: I looked it up, Zoomer

    • deranger@lemmy.world
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      Napster was not great for discovery. These were the days of 56k modems. Even with 128k mp3s it took a while to download a song. Idk, maybe I used it differently, but Napster was definitely a “look for specific song” application.

      Discovery came later with Kazaa and DC++ and the beginnings of broadband.

      • Bilb!@lem.monster
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        The way I remember “discovery” working on Napster was when someone incorrectly labeled unrelated music as by an artist you searched for. Wow, new music!

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        Once you found the song and started downloading it you had plenty of time to browse the rest of the library of the person you were downloading from. That could lead to finding stuff you never heard of that you would like. The only catch was that you couldn’t listen to it immediately, but you could Google what you found to get an idea of what it was and go from there.

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      Is this guy a boomer or a zoomer? It sure seems like he doesn’t know that what made Napster great wasn’t really the downloading so much as how it facilitated discovering new music.

      Like most journalists, probably a millennial former spoiled rich kid.

  • SuperSpruce@lemmy.zip
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    If I download music, I have access to a larger music library, the ability to change the pitch, speed, and equalizer of the music, and the freedom to choose the player that I want. Can’t do that with a streaming service.

    I try to support artists if I can still download the music in a DRM-free file. Just this week I made a purchase, and late last year I bought an album and a midi file to support two artists.

    And this is for personal listening. I make sure to follow royalty laws and attribute the artist when the music ends up in something I publish to the Internet.

    • Joelk111@lemmy.world
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      For anyone who’s a music enthusiast, having the files makes more sense. Poweramp is a way better experience than Spotify or YT Music. I loved being able to set the EQ on an album or song basis.

      That said, YT Music comes with YT premium, and I’m lazy, so I do that for now. I also haven’t got much of a commute right now, so I don’t listen to music near as much.

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    The strange bit is, even in the 80s,I was paying waaaay more than that per year for records and tapes.

    It’s only the fact that someone suggested I had to pay them a subscription that causes me to download illegally

    Don’t fucking tell me I need to keep paying every year for something I don’t own, I’m not buttoned up the back

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    I’m kinda waiting for this bad boy to come out so I can put into it all the songs I legally acquired all these years…

  • AlexWIWA@lemmy.ml
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    Songs disappearing, pushing podcasts, and raising prices. That’s why I went back to buying music. I salute the sailors

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    I doubt spotify’s small price increase mattered as much as the big increase in overall living expenses. If the choice is between paying for services like spotify or paying rent, then it is a lot easier to pirate music than housing.

    • Snot Flickerman@lemmy.blahaj.zone
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      I don’t know, waiting for the day your favorite tracker goes down unexpectedly and either never comes back or is replaced by an FBI seizure warning is at least kind of like waiting for the day the cops finally show up to kick you out of the building you have been squatting in.

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    i’m a big fan of music streaming, the way i listen to music only really works with a discovery algorithm. but the way streaming services and labels have been unnecesarily fucking over the customer as well as the artist is getting ridiculous.

    qobuzz could be a possible alternative, with them providing FLACs and/or CD quality tracks to purchase and download, but also having a subscription plan. they say more money is going to the artist. the only thing missing is the algorithm.

    go ahead, tell me i’m “corrupted by capitalism” or whatever. this is the way i want to do it. there’s no point in building up a collection worth hundreds and thousands of euros now, apart from FLACs being gigantic files and taking up all of the storage on my phone. plus i would cut myself off from being able to discover good artists the way i’m used to.

    • deranger@lemmy.world
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      5 months ago

      the way i listen to music only really works with a discovery algorithm

      People have been listening to music without an algorithm for hundreds of years. Even digitally, algorithms for discovery are fairly new. What’s so different about how you listen to music?

      • KptnAutismus@lemmy.world
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        5 months ago

        i have more than 10 playlists for different genres and occasions, the ““smart”” shuffle helps pad those out since otherwise the playlist would be like 20 songs long.

        the recommended songs at the bottom are often pretty bad, but for every 10 shitty songs there’s one worth adding to the list.

        occasionally i also listen to full albums, often only from bands i really really like.

        i get that spotify influenced how i do it, and i don’t have a problem if people do it differently. but an algorithm is a major plus for any music platform (from my perspective)

        i probably won’t start pirating music, but if spotify continues to enshittify itself i’m gonna have to look for alternatives.

        • deranger@lemmy.world
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          5 months ago

          I get it. I really enjoyed Spotify’s recommendations, but I had to quit as part of my “fuck streaming” pledge. My questions were genuine, I hope they didn’t come off as antagonistic.

          I switched to Plex / Plexamp, and I have to say whatever algorithm they’ve implemented has greatly helped me discovery things in my local library. It does a great job at “vibe mixing”, by that I mean you’re not going to shuffle from rock to classical to electronic. It’s even nailed some transitions that were both beat- and keymatched.

          Might be more than you’re willing to undertake, but it allowed me to drop the Spotify sub.

  • JackGreenEarth@lemm.ee
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    5 months ago

    I’m not even able to put music on my watch unless it’s a mp3, so paying to stream music is out of the question.