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Joined 1 year ago
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Cake day: June 29th, 2023

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  • After reading the article, I’m confused about how it works. Guinea worms are parasites that you get infected with from bad water sources. Unless you eradicate the source (e.g. the worms themselves), can you really say that you’ve eradicated the disease? Even if we go a decade without any human contracting it, it’s no harder for someone to contract it by drinking contaminated water than it is today. It’s not like a viral disease, that simply stops existing if infection numbers drop to 0 for a while.

    That being said, it’s great that numbers are as low as they are. Education and better water infrastructure is helping.


  • I pretty much stopped reading at:

    Genre terms exist to prime expectations for players.

    What a ridiculously self-centered claim. Genre terms (and other categorizations) exist because language users use them to make things easier to communicate about. I can only imagine the author of the article going: “Well, actually a tomato is a fruit, not a vegetable” when talking to a chef about gazpacho, or “a penguin is not technically a bird because it doesn’t fly” when someone says that a penguin is their favorite bird.

    MFer needs to learn about cognitive categorization, prototype theory, etc. It doesn’t need to be 100% the same within a category — then the category is too specific and is absolutely useless — it just needs to be similar enough that most people (that aren’t necessarily experts in the subject) understand what you’re getting at.





  • That mess of knobs and buttons has been around since the '50s — longer than the more compact '80s synths: https://en.wikipedia.org/wiki/Modular_synthesizer Because of their size they are usually considered studio gear and not stage gear, which may also explain why the more compact synths were more visible earlier, because you rarely got to look into studios then compared to now.

    To answer your question: A synthesizer (when talking about sound) is an instrument that generates sound by creating waveforms and possibly combining them in different ways to achieve different sounds. Typically they come with filters and envelopes, that further affect the resulting sound.












  • From the article:

    What sets Insanet’s Sherlock apart from Pegasus is its exploitation of ad networks rather than vulnerabilities in phones. A Sherlock user creates an ad campaign that narrowly focuses on the target’s demographic and location, and places a spyware-laden ad with an ad exchange. Once the ad is served to a web page that the target views, the spyware is secretly installed on the target’s phone or computer.

    If they’re using ads on a web page to install spyware, then they’re most definitely exploiting vulnerabilities—unless they’re showing the user a ‘do you want to install XYZ?’, in which case this isn’t newsworthy at all. Ads aren’t some magical thing that can just go around installing shit silently, so I don’t know wtf the article is going on about, but it doesn’t make sense.

    Edit: The Register seems to have a more sensible take on it: https://www.theregister.com/2023/09/16/insanet_spyware/