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Joined 1 year ago
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Cake day: May 2nd, 2023

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  • The way I perceive PRQL is somewhat like SQLAlchemy-Core (the SQL expression layer, not the ORM). Almost a 1:1 mapping to SQL but softening the rough edges in SQL when constructing more complex queries dynamically, in particular: no function calls, no real variables, only string concatenation. While SQLAlchemy-Core lets you even extract sub-queries into variables, I don’t know about how powerful PRQL is in this regard.

    From what I see from the docs I’m rather hopeful though.







  • Burn me once, shame on you. Burn me twice, shame on me. Big corporations want mainly one thing: gobble up as much value exclusively to themselves. They will take whatever means necessary to get there. The strategies to privatize public resources (XMPP, ActivityPub, etc.) are known. They look great for the public on the outside, but over the years will erode the value for everybody BUT them. In order to not let it get as far, many (including me) are of the conviction to not even give them a finger, let alone the whole hand.





  • First I thought you were writing incoherently, but now I understand your point.

    I agree with what you said, that our “art” is most likely just something akin to bird song. Maybe even less or something else entirely.

    My point of view: Birds also have a “rebellious phase” where their songs differ from the songs of the general population. They are experimenting with new and unorthodox songs. These go away after they come of age and have to find a mate. My hypothesis (well, I’m no bird) is that there is a lot of emotional impact in these bird songs, whereas in some songs humans produce, much which previously required emotional awareness or emotional connection is now being replaced by templates, methods and formulas to make music. It’s some sort of depersonalization or objectification of the process of making music. This is probably what you meant by “it isn’t art anymore”.

    Did I get right, what you were trying to convey?